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  1. Replies
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    Schleem is something we can look at for future...

    Schleem is something we can look at for future consideration now that we finally have a Fleeb.
  2. Skim read your post and didn't realise it was a...

    Skim read your post and didn't realise it was a single clip sorry. In that case, add a node to end of node tree for the clip, and choose node sizing then flip.
  3. If you are not that confident with grading, the...

    If you are not that confident with grading, the new extended video mode is intended to give you a good base image that's not as aggressive as the standard broadcast 709/video mode with enough room to...
  4. Try flip in the colour page. Goto sizing tab,...

    Try flip in the colour page. Goto sizing tab, change from input sizing to output sizing and flip there.
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    Yes, front wheel in context sensitive and will...

    Yes, front wheel in context sensitive and will adjust if you have ISO/WB/Shutter/Framerate/etc on screen.
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    It was the initial colour science of the URSA...

    It was the initial colour science of the URSA Mini 4.6K (also used for the demo video and downloadable footage etc) that was superseded by Gen 3 in FW3.2 which was released during NAB shortly after...
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    Not including the studio cameras it's currently :...

    Not including the studio cameras it's currently :

    Gen 1 - BMCC, Pocket, Micro Cinema, Production Camera 4K, URSA 4K
    Gen 3 - URSA Mini 4K/4.6K/Pro
    Gen 4 - URSA Mini Broadcast
  8. Replies
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    Yes fairly similar results, when i speak of...

    Yes fairly similar results, when i speak of colour science i'm just referring to the conversions done to the recorded image data post calibration and other related processing. Although the same...
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    Source illuminant, or more so the chosen wb...

    Source illuminant, or more so the chosen wb setting on camera or from the RAW panel. Anything other than 6000K the CST plugin will not be as accurate as it could be. Gamma changes also assume native...
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    The CST plugin assumes 6000K for the input (I've...

    The CST plugin assumes 6000K for the input (I've mentioned this a bunch in other threads), so for footage shot close to that wb it can be okay but footage shot around 3200K will not look very...
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    It's only on the broadcast. Gen 3 is on the other...

    It's only on the broadcast. Gen 3 is on the other Mini's which is still closer than BMCC.


    A big URSA 4K? That uses the same colour science as the BMCC/Production 4K/Pocket (which is all just...
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    The newer colour science IS much closer to Alexa...

    The newer colour science IS much closer to Alexa than the BMCC colour science with BMDFilm. Gen 4 is closer than its ever been. The BMCC is miles away in comparison.
  13. Ideally you want to do RGB gains AND interpolate...

    Ideally you want to do RGB gains AND interpolate the 'A' and 'D65' 3x3 colour matrices for the desired colour temp (as it is done in the RAW workflow), but like I said just doing the RGB gains can be...
  14. Yes but not really with Resolves current toolset...

    Yes but not really with Resolves current toolset sorry.
    You can adjust the RGB gain relationship in linear for an 'okay' result though.
  15. Assuming you only have ProRes footage and not RAW...

    Assuming you only have ProRes footage and not RAW (so can't adjust exposure from the RAW tab), one approach is to use 2 instances of the CST (Color Space Transform) plugin.
    In the first node set it...
  16. Hey, which LUT exactly are you talking about? The...

    Hey, which LUT exactly are you talking about? The ones in Resolve are created by the Resolve team but i can look into it and pass it on to them if there's an issue. Thanks!
  17. If you speak of Arri, their colour scientist said...

    If you speak of Arri, their colour scientist said their 709 LUT is more his preference for a gamma curve on a 709 display for their footage. Our 709 and Video settings/LUTs are the standard gamma...
  18. Our supplied Video LUTs are basically 709 gamma...

    Our supplied Video LUTs are basically 709 gamma and are there for broadcast type users - which is not a useless reference point. Being "overly contrasty" and "clipping to easily" is how the standard...
  19. The URSA Mini Pro uses the same Log curves as the...

    The URSA Mini Pro uses the same Log curves as the URSA Mini 4.6K which are "flatter" than the original BMD Film.
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    I've resized the LUT for you (I haven't tested on...

    I've resized the LUT for you (I haven't tested on camera though)

    17^3 - https://drive.google.com/file/d/1p3w85PDxjkuUWeJKxTkjjw3NWMJ6tRpv/view?usp=sharing
    33^3 -...
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    Resolve comes with the camera or the free version...

    Resolve comes with the camera or the free version can be used to create 33^3 LUTs too.
    But post the LUT anyway, if it were linked in your post I could have converted it already for you or I'm sure...
  22. http://www.bmcuser.com/showthread.php?21213-A-bett...

    http://www.bmcuser.com/showthread.php?21213-A-better-way-to-grade-Ursa-Mini-CinemaDNGs&p=243608&viewfull=1#post243608
  23. If you don't have a thunderbolt 3 port on your...

    If you don't have a thunderbolt 3 port on your PC, what about the Intensity Shuttle for USB3 (1080p)?

    https://www.blackmagicdesign.com/products/intensity/techspecs/W-INT-02
  24. I'm not in the Resolve team so my perspective is...

    I'm not in the Resolve team so my perspective is from the camera side and storing the data - where our SDI outputs are 10bit 422, and ProRes 422HQ (10bit) for recording is overwhelmingly the most...
  25. Hi Juan, To clear up some things for you, ...

    Hi Juan,

    To clear up some things for you,

    The 4.6K film curve does handle the full dynamic range of the sensor, but for ISO1600 for example we store into super whites to make the most of...
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